things fall apart so other things can fall together

20090208210051

20090313024336

brando

hot

sexonfire

thebed

Today I want to say this: Take your time. Tell them how you feel. Be open and honest. Say it to their face and not behind their backs. Don’t think too much. Let the fear go. Don’t let your insecurities control you. You are more than fine. You are exquisite. People will always judge you. Ignore it. We don’t all live by the same moral code. Let people be themselves as long as they let you be yourself.

I’m trying so hard to change for the better. Please believe me.

“Find ecstasy in life; the mere sense of living is joy enough.”

- Emily Dickinson

And finally an incredible and fascinating list: An Incomplete Manifesto for Growth by Bruce Mau after the cut.


1. Allow events to change you.
You have to be willing to grow. Growth is different from something that happens to you. You produce it. You live it. The prerequisites for growth: the openness to experience events and the willingness to be changed by them.

2. Forget about good.Good is a known quantity.
Good is what we all agree on. Growth is not necessarily good. Growth is an exploration of unlit recesses that may or may not yield to our research. As long as you stick to good you’ll never have real growth.

3. Process is more important than outcome.
When the outcome drives the process we will only ever go to where we’ve already been. If process drives outcome we may not know where we’re going, but we will know we want to be there.

4. Love your experiments (as you would an ugly child).
Joy is the engine of growth. Exploit the liberty in casting your work as beautiful experiments, iterations, attempts, trials, and errors. Take the long view and allow yourself the fun of failure every day.

5. Go deep.
The deeper you go the more likely you will discover something of value.

6. Capture accidents.
The wrong answer is the right answer in search of a different question. Collect wrong answers as part of the process. Ask different questions.

7. Study.
A studio is a place of study. Use the necessity of production as an excuse to study. Everyone will benefit.

8. Drift.
Allow yourself to wander aimlessly. Explore adjacencies. Lack judgment. Postpone criticism.

9. Begin anywhere.
John Cage tells us that not knowing where to begin is a common form of paralysis. His advice: begin anywhere.

10. Everyone is a leader.
Growth happens. Whenever it does, allow it to emerge. Learn to follow when it makes sense. Let anyone lead.

11. Harvest ideas.
Edit applications. Ideas need a dynamic, fluid, generous environment to sustain life. Applications, on the other hand, benefit from critical rigor. Produce a high ratio of ideas to applications.

12. Keep moving.
The market and its operations have a tendency to reinforce success. Resist it. Allow failure and migration to be part of your practice.

13. Slow down.
Desynchronize from standard time frames and surprising opportunities may present themselves.

14. Don’t be cool.
Cool is conservative fear dressed in black. Free yourself from limits of this sort.

15. Ask stupid questions.
Growth is fueled by desire and innocence. Assess the answer, not the question. Imagine learning throughout your life at the rate of an infant.

16. Collaborate.
The space between people working together is filled with conflict, friction, strife, exhilaration, delight, and vast creative potential.

17. ____________________.
Intentionally left blank. Allow space for the ideas you haven’t had yet, and for the ideas of others.

18. Stay up late.
Strange things happen when you’ve gone too far, been up too long, worked too hard, and you’re separated from the rest of the world.

19. Work the metaphor.
Every object has the capacity to stand for something other than what is apparent. Work on what it stands for.

20. Be careful to take risks.
Time is genetic. Today is the child of yesterday and the parent of tomorrow. The work you produce today will create your future.

21. Repeat yourself.
If you like it, do it again. If you don’t like it, do it again.

22. Make your own tools.
Hybridize your tools in order to build unique things. Even simple tools that are your own can yield entirely new avenues of exploration. Remember, tools amplify our capacities, so even a small tool can make a big difference.

23. Stand on someone’s shoulders.
You can travel farther carried on the accomplishments of those who came before you. And the view is so much better.

24. Avoid software.
The problem with software is that everyone has it.

25. Don’t clean your desk.
You might find something in the morning that you can’t see tonight.

26. Don’t enter awards competitions.
Just don’t. It’s not good for you.

27. Read only left-hand pages.
Marshall McLuhan did this. By decreasing the amount of information, we leave room for what he called our “noodle.”

28. Make new words.
Expand the lexicon. The new conditions demand a new way of thinking. The thinking demands new forms of expression. The expression generates new conditions.

29. Think with your mind.
Forget technology. Creativity is not device-dependent.

30. Organization = Liberty.
Real innovation in design, or any other field, happens in context. That context is usually some form of cooperatively managed enterprise. Frank Gehry, for instance, is only able to realize Bilbao because his studio can deliver it on budget. The myth of a split between “creatives” and “suits” is what Leonard Cohen calls a ‘charming artifact of the past.’

31. Don’t borrow money.
Once again, Frank Gehry’s advice. By maintaining financial control, we maintain creative control. It’s not exactly rocket science, but it’s surprising how hard it is to maintain this discipline, and how many have failed.

32. Listen carefully.
Every collaborator who enters our orbit brings with him or her a world more strange and complex than any we could ever hope to imagine. By listening to the details and the subtlety of their needs, desires, or ambitions, we fold their world onto our own. Neither party will ever be the same.

33. Take field trips.
The bandwidth of the world is greater than that of your TV set, or the Internet, or even a totally immersive, interactive, dynamically rendered, object-oriented, real-time, computer graphic–simulated environment.

34. Make mistakes faster.
This isn’t my idea — I borrowed it. I think it belongs to Andy Grove.

35. Imitate.
Don’t be shy about it. Try to get as close as you can. You’ll never get all the way, and the separation might be truly remarkable. We have only to look to Richard Hamilton and his version of Marcel Duchamp’s large glass to see how rich, discredited, and underused imitation is as a technique.

36. Scat.
When you forget the words, do what Ella did: make up something else … but not words.

37. Break it, stretch it, bend it, crush it, crack it, fold it.

38. Explore the other edge.
Great liberty exists when we avoid trying to run with the technological pack. We can’t find the leading edge because it’s trampled underfoot. Try using old-tech equipment made obsolete by an economic cycle but still rich with potential.

39. Coffee breaks, cab rides, green rooms.
Real growth often happens outside of where we intend it to, in the interstitial spaces — what Dr. Seuss calls “the waiting place.” Hans Ulrich Obrist once organized a science and art conference with all of the infrastructure of a conference — the parties, chats, lunches, airport arrivals — but with no actual conference. Apparently it was hugely successful and spawned many ongoing collaborations.

40. Avoid fields.
Jump fences. Disciplinary boundaries and regulatory regimes are attempts to control the wilding of creative life. They are often understandable efforts to order what are manifold, complex, evolutionary processes. Our job is to jump the fences and cross the fields.

41. Laugh.
People visiting the studio often comment on how much we laugh. Since I’ve become aware of this, I use it as a barometer of how comfortably we are expressing ourselves.

42. Remember.
Growth is only possible as a product of history. Without memory, innovation is merely novelty. History gives growth a direction. But a memory is never perfect. Every memory is a degraded or composite image of a previous moment or event. That’s what makes us aware of its quality as a past and not a present. It means that every memory is new, a partial construct different from its source, and, as such, a potential for growth itself.

43. Power to the people.
Play can only happen when people feel they have control over their lives. We can’t be free agents if we’re not free.


2 Comments »

  1. Leigh says:

    That manifesto for growth is incredible. I’m loving it.

RSS feed for comments on this post. / TrackBack URI

Leave a Reply

Shohei Otomo

Shohei Otomo

Click the last image to enlarge. It’s incredible.

Shohei Otomo (discovered via Electric Ant Mag’s blog) is a super talented artist. I’m huge fan of black white and red art, plus the detail in his work is amazing.

Shaun Sundholm

Shaun Sundholm

Shaun Sundholm hitting all the right notes. sundholmdesign.com

your turtle heart

http://www.youtube.com/watch?v=V08Mt35MSis

It’s sort of hard to sustain a healthy long lasting relationship with another human being, don’t you think? We carry around so much baggage and are more than happy to dump the contents of those bags onto everyone we come into contact with, when in reality we should of tossed that shit out a long time ago. But it’s much easier to hold onto it and use it as an excuse for our behavior instead of owning up to our own actions. And yes, you can be sure I am talking about myself here. I wonder if I somehow lack what it takes to hold onto someone in my life for a very long time. Am I consistently pushing people away with my bullshit and if so how can I change to keep the right people around and give them back as much as I take?

Sigmund Freud proclaimed “sexual desire as the primary motivational energy of human life”. And if you think about it, stepping back and really looking at that statement in a not so literal way, replacing the phrase “sexual desire” with perhaps “the desire to be needed”, can’t you see more clearly what it is that motivates you to act and think the way you do? That deeply embedded urge to be loved and accepted, I truly believe that yes, this is the fuel that drives and molds us as people. And of course there are tons of other factors that play into the very complicated matter of human interaction but I can’t wrap my head around them anymore. I’d just like to resign myself to the simple notion that if I accept the faults and imperfections in someone only then can I truly learn to appreciate the good in them and give them what they need, what they deserve.

I am creature of emotion. I experience the highest of highs and the lowest of the lows. Sometimes if I’m lucky, I can find that balance in the middle, the quiet calm without worry. Yet without fail I somehow end up disrupting the balance with my baggage, with my endless doubts and fears. Recently I’ve found a means to get that calm so now I think constantly how I can hold onto it, how to infuse it with permanence. It is becoming the most important thing I can think to do, the closest thing to magic that I have made. It is my motivation and my inspiration to be here tomorrow better than I was yesterday. And I realize now instead of focusing so much energy on how to keep it around, I should just enjoy it and let it be what it will be.

swinmminginmilk

swinmminginmilk

Photography by swinmminginmilk

danuno

danuno

I’m in love with the colors. Graffiti/Street Art by Dan uno

jaime martinez

jaime martinez

Quite the epic portfolio. SO MUCH amazing work here: Jaime Martinez

pulling down the stars from the sky

pulling down the stars from the sky

sorry i do not have source links for these images. if you do, please share.

I want it all. I want the creative glory I experience through the moments of my deepest misery, for the brilliance I once spun when my mind was it’s most troubled, when I was always just one drink away from being an everyday nothing-to-lose loud mouth drunk falling all over myself but still somehow elegant when it came time to mold rough thoughts into reality. I want the elegance again but wonder if I can get it back when everyday I am starting to shift towards happiness and light and laughter deep from within my stomach, jaw hurting rib stretching laughter. Can I have both? Are the troubled sad ones more creative? I don’t know if this is fact anymore. I can find a way … no no I must find a way to make beautiful things without a drop of sorrow running through my veins and it’s true I’ve always been a sad person by nature with most of it welled up in and around my eyes. I always wondered where that comes from? From genes? From experiences? Regardless, it’s time for that chapter to come to an end.  I’m turning the page and pulling down the stars from the sky and realizing that I was born to create, all of us really are, don’t you think? I was also born to be happy, to touch another with my smile creating subtle vibrations, making strong suggestions … illuminating the dark spots. In the end doing my small but none the less significant part to expand this universe, putting my drops into the ocean we all drink out of. And they will be pure happy bright colored drops.

you can use my skin to bury secrets in

you can use my skin to bury secrets in

I promise I will be good and true, that I will never sigh again and if I must, only when it is a sigh of great joy and fullness and content. I will draw you a picture of the inside of me. Because the words I need just haven’t been thought of yet.  I won’t say those things that I have before. I want to be good to you. Can you possibly promise me that you will look at me like I am the first flower of spring, like I am a line you just read that knocked you down and you have to repeat it over to make sure you just read me correctly? And tell me that no one else can knock you down that way? That I will wake up and you will still be there. It isn’t all madness and I’m just a girl with too many thoughts in her brain. So many firsts with  you, I refuse to have any lasts.

reasons to leave, reasons to stay

reasons to leave, reasons to stay

1 / 2-8

Do you ever get the urge to get up and go? To purge your life of all that is unnecessary, those things that are dragging you down with their overwhelming weight. And even the silence has this burden, a heavyiness that sits ontop of your everything, keeping you from reaching whatever might be next. So sometimes it seems like the only thing a person can do is start all over, cut all ties and set up shop in a new place with new faces and only then does the thought return to your heart that the word “impossible” means nothing and you are going to make it.  So I say just go and bring only what is purely good and usually that means you are traveling with very little. But you can make more good and you can build something new without the help of others if need be.

Liza Corbett

Liza Corbett

The stunning drawings of Liza Corbett. The hair is truly incredible.